"In it's use of signs that move through time and space and which imitate the world beyond performance, seen and unseen, the theatre may well bear a likeness to that sensory mode of divine self-revelation attested in the classic texts of Christian faith. But, at least for the Christian, the theatre will not move beyond likeness to rival, claiming to emulate the Incarnation by summoning spirit or universal will to inhabit it's material signs" Max Harris. Theatre and Incarnation
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